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    <title>News</title>
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    <id>tag:www.popewainwright.co.uk,2009-06-30:/news//1</id>
    <updated>2011-07-20T18:03:09Z</updated>
    
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<entry>
    <title>BlackBerry Playbook </title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2011/blackberry-playbook.htm" />
    <id>tag:www.popewainwright.co.uk,2011:/news//1.50</id>

    <published>2011-07-01T15:06:22Z</published>
    <updated>2011-07-20T18:03:09Z</updated>

    <summary>The BlackBerry Playbook has made it&apos;s UK launch with a retail presence designed by Pope...</summary>
    <author>
        <name>Pope Wainwright</name>
        <uri>http://www.popewainwright.co.uk</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.popewainwright.co.uk/news/">
        <![CDATA[The BlackBerry Playbook has made it's UK launch with a retail presence designed by Pope Wainwright.<br /><br />The flagship launch hosted by Selfridges &amp; Co encompasses an iconic window, in-store installations with live demonstration, brand communications and a private area in the Selfridges &amp; Co premium personal shopper lounge.&nbsp; <br /><br />The launch spans other retail partners including Carphone Warehouse, Best Buy, Phones4U &amp; DSGi (Currys, Currys Digital, PC World, and Dixons).<br /><br /><br /><br /><br /><br />]]>
        
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<entry>
    <title>RNLI</title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2011/rnli-1.htm" />
    <id>tag:www.popewainwright.co.uk,2011:/news//1.44</id>

    <published>2011-03-16T16:15:34Z</published>
    <updated>2011-03-16T16:22:52Z</updated>

    <summary>The RNLI have announced plans to open their revamped HQ encompassing a museum, shop and...</summary>
    <author>
        <name>Pope Wainwright</name>
        <uri>http://www.popewainwright.co.uk</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.popewainwright.co.uk/news/">
        <![CDATA[The RNLI have announced plans to open their revamped HQ encompassing a museum, shop and conference centre with interiors designed by Pope Wainwright. <br /><br />The project is a part of Pope Wainwright's ongoing work with the charity, that has so far involved a design language and concept schemes. <br /><br />The intention is that the new interiors will bring the work of the RNLI to the fore and promote their role as the charity 'That saves lives at sea'.<br /><br /><br /><br /><div align="left"> </div>]]>
        
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<entry>
    <title>William Hill</title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2011/william-hill.htm" />
    <id>tag:www.popewainwright.co.uk,2011:/news//1.43</id>

    <published>2011-03-16T09:53:58Z</published>
    <updated>2011-03-16T12:08:16Z</updated>

    <summary>William Hill have unveiled &apos;The home of betting&apos; strapline and are working with Pope Wainwright...</summary>
    <author>
        <name>Pope Wainwright</name>
        <uri>http://www.popewainwright.co.uk</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.popewainwright.co.uk/news/">
        <![CDATA[<div align="left">William Hill have unveiled 'The home of betting' strapline and are working with Pope Wainwright to develop a retail brand refresh that is reflective of the new strapline, brand guidelines, values and heritage of the bookmaker.<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /></div>]]>
        
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<entry>
    <title>Bill Amberg and Selfridges &amp; Co</title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2011/bill-amberg-and-selfridges-co.htm" />
    <id>tag:www.popewainwright.co.uk,2011:/news//1.42</id>

    <published>2011-03-15T10:17:21Z</published>
    <updated>2011-04-14T11:08:47Z</updated>

    <summary> @font-face { font-family: &quot;Cambria&quot;; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt;...</summary>
    <author>
        <name>Pope Wainwright</name>
        <uri>http://www.popewainwright.co.uk</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.popewainwright.co.uk/news/">
        <![CDATA[<div align="left">










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}p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }div.Section1 { page: Section1;</style>BlackBerry have unveiled the exclusive Bill Amberg and Selfridges &amp; Co BlackBerry Bold with packaging and a retail presence designed by Pope Wainwright. The limited edition smartphone is numbered and available in six colourways, complete with a leather case and back plate designed by Bill Amberg.<br /><br />The packaging is reflective of the exclusive collaboration and centres on a layered revealing of the smart phone, with a colour accent band and a peep hole window card offering glimpses of the phone and case.<br /><br /><br /><br /></div> ]]>
        
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<entry>
    <title>Pope Wainwright</title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2010/pope-wainwright.htm" />
    <id>tag:www.popewainwright.co.uk,2010:/news//1.41</id>

    <published>2010-12-14T15:11:56Z</published>
    <updated>2011-03-15T10:51:51Z</updated>

    <summary>We have moved to a converted building that was previously the former Hobbs warehouse and...</summary>
    <author>
        <name>Pope Wainwright</name>
        <uri>http://www.popewainwright.co.uk</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.popewainwright.co.uk/news/">
        <![CDATA[We have moved to a converted building that was previously the former Hobbs warehouse and local theatre. It's set behind two four-storey Georgian houses in the heart of Primrose Hill's conservation area. <br /><br />We are now busy exploring our new surroundings and hope that we will be in our new location for many years. If you'd like to come and see us you can find our new map and details under contact.<br /><br /><br /><br /><br /><br /><br /><br /><style>@font-face {
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<entry>
    <title>RNLI</title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2010/rnli.htm" />
    <id>tag:www.popewainwright.co.uk,2010:/news//1.40</id>

    <published>2010-08-04T09:58:30Z</published>
    <updated>2010-08-04T10:07:49Z</updated>

    <summary>The RNLI relies on 40,000 volunteers across the UK who work on the lifeboats, stations,...</summary>
    <author>
        <name>Pope Wainwright</name>
        <uri>http://www.popewainwright.co.uk</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.popewainwright.co.uk/news/">
        <![CDATA[The RNLI relies on 40,000 volunteers across the UK who work on the lifeboats, stations, beaches and fundraising. They provide a 24-hour lifeboat search and rescue service around the coasts of the UK, as well as a seasonal lifeguard service on many of the busiest beaches in England and Wales. <br /><br />Pope Wainwright have been working with the RNLI to develop a new strategy and design language. The new approach will help the charity envisage their brand as multifaceted with a versatile future and effectively communicate their inspiring work. <br /><br />Our work continues to reinforce the RNLI's position, and to promote their role as the charity that saves lives at sea.<br /><br />]]>
        
    </content>
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<entry>
    <title>Coworth Park</title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2010/coworth-park.htm" />
    <id>tag:www.popewainwright.co.uk,2010:/news//1.39</id>

    <published>2010-08-04T08:28:51Z</published>
    <updated>2011-03-16T16:39:55Z</updated>

    <summary>The Dorchester Collection is opening their first English country house hotel and spa, Coworth Park....</summary>
    <author>
        <name>Pope Wainwright</name>
        <uri>http://www.popewainwright.co.uk</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.popewainwright.co.uk/news/">
        <![CDATA[The Dorchester Collection is opening their first English country house hotel and spa, Coworth Park. The beautiful Georgian manor house is set within 240 acres of Berkshire parkland and will be reinvented for the 21st Century.<br /><br />With the Dorchester Collection's luxury brand in mind, Pope Wainwright have created a signage and wayfinding scheme that works in harmony with the surrounding parkland. This encourages people to discover the grounds which include the polo fields, spa, historical house and gardens.<br /><br />Each sign category is unique, rejecting uniformity and embracing the quiet eccentricity of Coworth Park. The design language places archetypical visual and material characteristics at its centre and builds upon a rich culture of navigation, sign and landmark types. Signs are distinctive and bold, making use of natural, hard wearing materials such as cast iron, rusted steel and stone.<br /><br />The strong visual identity of the scheme makes for a memorable welcome to the Hotel and it's grounds, and a lasting rapport with the Dorchester Collection.<br /><br /> ]]>
        
    </content>
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<entry>
    <title>The Art Fund</title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2009/the-art-fund.htm" />
    <id>tag:www.popewainwright.co.uk,2009:/news//1.38</id>

    <published>2009-10-07T13:48:47Z</published>
    <updated>2010-08-04T09:41:13Z</updated>

    <summary>Pope Wainwright is working in collaboration with The Art Fund to support its development of...</summary>
    <author>
        <name>Pope Wainwright</name>
        <uri>http://www.popewainwright.co.uk</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.popewainwright.co.uk/news/">
        <![CDATA[Pope Wainwright is working in collaboration with The Art Fund to support its development of a new strategy, aimed at increasing membership and visitor donations at galleries and museums.<br /><br />The Art Fund is an independent charity that has saved over 860,000 works of art since 1903 and has 80,000 members across the UK.<br /><br /><br /><br /><br /><br /><br /><br /><br />]]>
        
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<entry>
    <title>Affordance</title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2009/affordance.htm" />
    <id>tag:www.popewainwright.co.uk,2009:/news//1.29</id>

    <published>2009-08-26T16:41:52Z</published>
    <updated>2009-10-07T14:36:02Z</updated>

    <summary>The way we work is changing, as an increasing amount of us work for small...</summary>
    <author>
        <name>Pope Wainwright</name>
        <uri>http://www.popewainwright.co.uk</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.popewainwright.co.uk/news/">
        <![CDATA[The way we work is changing, as an increasing amount of us work for small to medium businesses and from home. These work routines are asking new questions of the furniture used in today's workplace. <br /><br />Pope Wainwright will launch PW01 in the autumn; a furniture range, that responds to these work patterns that comprises of a desk, storage and display unit.<br /><br />The range centres on the need for flexible, customisable, affordable furniture. It is sensitive to its end user and is driven by the idea that a clear workspace creates a clear mind. Thus the range promotes a sense of clarity in its organisation of functions, and in the sum of its parts. <br /><br />The desk is complete with a back panel that provides flexible storage for stationery and books, and a unique cable management leg and tray system. Multiple desks can be assembled as meeting tables, workstations with space division and conference tables as an additional offer.<br /><br />The mobile display unit brings together the peg, clip, pin and white board and is complete with storage for flip charts, stationery, coats and a bin.<br /><br />The storage unit can be used as stand alone piece or combined with the desk and display unit providing extra storage and creating a consistent workspace.<br /><br />A virtually unlimited colour palette allows the workplace to be branded simply and effectively. Using a basic material set comprising laminated and exposed MDF costs are kept at a minimum. <br /><br />FSC sourced materials are used throughout, including Liri laminates that are free from heavy metals and Medite Ecologique MDF that are free from added formaldehyde.<br /><br />The range marries simple geometric forms with a lightness of structure to create an appearance that is honest and transparent in its functions. <br /><br />The PW01 range sets the standard for design, at a price in keeping with the mood of the times, and suited to the home, small and medium business market. <br /><br />To learn more about the PW01 range please go to <a href="http://www.pw01.co.uk/">www.pw01.co.uk</a> <div><br /></div>]]>
        
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<entry>
    <title>Sustainable design</title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2009/our-environment.htm" />
    <id>tag:www.popewainwright.co.uk,2009:/news//1.28</id>

    <published>2009-08-03T10:20:52Z</published>
    <updated>2009-10-08T08:34:28Z</updated>

    <summary>With sustainability high on the agenda it&apos;s not surprising the amount of companies who want...</summary>
    <author>
        <name>Pope Wainwright</name>
        <uri>http://www.popewainwright.co.uk</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.popewainwright.co.uk/news/">
        <![CDATA[With sustainability high on the agenda it's not surprising the amount of companies who want to jump on the bandwagon, but do they have the correct approach or right intentions? <br /><br />There are preconceived ideas about what looks sustainable and unfortunately many new products and environments take on this aesthetic in order to project a company's ecological values.<br /><br />Although these designs aesthetically look sustainable they do not address the larger issues at hand. Everything we produce effects the environment and it's our decisions on how these are made and what they are made from that is the contributing factor.<br /><br />As an example walls made from bottles or reclaimed materials project this ideal. However, if you look a little deeper you find that sometimes the recycled or reclaimed parts are actually new. They have taken more energy to produce, have travelled greater distances, or the materials used are not suitable for the job and this in turn reduces their life expectancy.<br /><br />It's great that there is so much interest in sustainability; however don't always assume if something looks environmental friendly that it is good for us or our environment. <br /><br />"Green" design shouldn't have to stand out and definitely doesn't need to look reclaimed or second hand. However, it will take time for people to realise that products and environments that look more sophisticated, modern and aspirational can also be sustainable.<br /><br />Design should be used as a long-term approach to integrate sustainability seamlessly into our lives. We should stop using it as another marketing and pr exercise and get on with designing great products and environments. When the "green" excitement ends it will still be the designer's responsibility to consider the impact their designs have on the environment. <br /><br />Designers can continue to help by taking the time to understand the surrounding issues throughout a designs life cycle e.g. production, use and disposal. They should also keep up to date with new information and legislation and ensure we don't take green credentials on face value.<br /><br />PW integrate sustainable thinking into all their projects from packaging through to environments.<br /><br /> ]]>
        
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<entry>
    <title>Recent projects</title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2009/recent-projects.htm" />
    <id>tag:www.popewainwright.co.uk,2009:/news//1.25</id>

    <published>2009-07-23T09:27:19Z</published>
    <updated>2009-08-04T11:53:46Z</updated>

    <summary>Sainsbury&apos;s opened their new green supermarket in Gloucester in late June. The store, situated next...</summary>
    <author>
        <name>Pope Wainwright</name>
        <uri>http://www.popewainwright.co.uk</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.popewainwright.co.uk/news/">
        <![CDATA[Sainsbury's opened their new green supermarket in Gloucester in late June. The store, situated next to the Gloucester to Sharpness canal on St Ann's Way, has been hailed as one of the greenest shops in the UK.<br /><br />Along with a number of new initiatives is the new cafÃ© concept designed by Pope Wainwright. The new scheme represents Sainsbury's as 'the peoples grocer' and is a beacon for their 'own brand' food.<br /><br />The design focuses on taking cues from contemporary domestic living, it has definitive seating areas that are approachable for all customers and meets with all their individual requirements.<br /><br />The cafÃ© supports Sainsbury's key product stories, and provides a relaxing and informative space. <br /><br />For more information on this project please contact us via email: office@popewainwright.co.uk<br /><br /> ]]>
        
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<entry>
    <title>Design</title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2009/design.htm" />
    <id>tag:www.popewainwright.co.uk,2009:/news//1.20</id>

    <published>2009-07-18T15:32:16Z</published>
    <updated>2009-10-07T15:38:55Z</updated>

    <summary>In the current economic climate, the creative industry is coming under increased pressure and review...</summary>
    <author>
        <name>Pope Wainwright</name>
        <uri>http://www.popewainwright.co.uk</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.popewainwright.co.uk/news/">
        <![CDATA[<div>In the current economic climate, the creative industry is coming under increased pressure and review regarding its involvement within businesses.</div><div><br /></div><div>Some design firms will invariably be unable to sustain themselves in such testing times. However, this is a time when the industry has to step up to the challenge it faces and show that there is true value in design, and that it should be a cornerstone of any successful business or brand.&nbsp;</div><div><br /></div><div>In order to do this the design industry needs to prove its true worth.</div><div><br /></div><div>For many years design companies have free pitched and, in essence, given the ideas for free. This has devalued the industry to such an extent that clients can see it as more of a creative service than a profession. Furthermore, the lack of belief in a great idea has led to a culture of the client being presented with a number of options and being left to make the final creative decision.&nbsp;</div><div><br /></div><div>It's time that the creative industry took pride in what they do and understood the true value of what they offer, just like any other profession, i.e. solicitors, accountants and plumbers.</div><div><br /></div><div>The next year is going to offer greater challenges, but it is our firm belief that when the current economic downturn improves there will be huge opportunities for the creative industry.</div><div><br /></div><div>Design firms who are true to the industry and offer clients sound advice will prosper, and be in a stronger position than ever before.</div><div><br /></div><div>PW work with high profile clients and premium brands, both in the UK and internationally.</div><div><br /></div> ]]>
        
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<entry>
    <title>Office environments</title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2008/office-environments.htm" />
    <id>tag:www.popewainwright.co.uk,2009:/news_temp//1.3</id>

    <published>2008-08-01T09:00:30Z</published>
    <updated>2009-07-18T15:07:00Z</updated>

    <summary>Office environments that inspire employees and clients alike are, it seems, few and far between...</summary>
    <author>
        <name>admin</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.popewainwright.co.uk/news/">
        <![CDATA[<div><div>Office environments that inspire employees and clients alike are, it seems, few and far between these days. The majority of us work in dull and depressing places; these environments consist of blue carpet tiles with yellow fluorescent lighting and our days are spent hiding behind computer screens with the blinds down trying to shut out any natural light that might just manage to creep in.</div><div><br /></div><div>As our working habits change and become more flexible so should the environments that we work in. Too many offices are uninspiring and soulless in their presentation. Through clever design, staff productivity and motivation can be increased which in turn would improve their efficiency and that of the business.</div><div><br /></div><div>The problem, it seems, is that employers struggle to see the benefit of investing in their work place environments because they do not see any tangible return. By making such an investment you are not only investing in a physical space but also in the people that you employ - people need to be inspired and take pride in what they are involved with.</div><div><br /></div><div>Your offices are also a reflection of your company, how you wish to be perceived to the outside world and by your clients. They are a physical representation of your brand and your values that have the power to engage clients and enthuse them.</div><div><br /></div><div>Obviously there is an economic viewpoint and any office move or refurbishment can take significant resources and finance. But why not restructure and reorganise to use the space more resourcefully in order to become more productive?</div><div><br /></div><div>By developing a strong 3D architectural language and through an intelligent use of space and furniture elements cost savings can be made, company efficiency increased and morale improved. Add to this the fact that your clients will be reassured that you are cost savvy and progressive then it's surely worth considering.</div><div><br /></div><div>PW have successfully designed and implemented workplace environments for BlackBerry, The Engine Group, Cartoon Network, Mazda and Yahoo!</div><div><br /></div></div> ]]>
        
    </content>
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<entry>
    <title>Retail</title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2008/retail.htm" />
    <id>tag:www.popewainwright.co.uk,2009:/news_temp//1.4</id>

    <published>2008-07-01T11:00:30Z</published>
    <updated>2009-07-23T09:36:52Z</updated>

    <summary>Every time you pick up a paper these days you&apos;re hit with another dreadful statistic...</summary>
    <author>
        <name>admin</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.popewainwright.co.uk/news/">
        <![CDATA[<div>Every time you pick up a paper these days you're hit with another dreadful statistic of how bad the retail sector is and how there is 'worse to come'. It's all very negative and the media don't exactly help, stirring up the emotions by consistently hammering us with shocking headlines that lead us to believe we are about to enter a recession and that the industry may never fully recover from the downturn.</div><div><br /></div><div>The simple facts are that people are belt tightening and you could argue that we've been very fortunate to have had so many years of prosperity and that the markets are merely correcting themselves.</div><div><br /></div><div>Additionally the retail sector can't just take a deep intake of breath and hope that it will all go away. Retail is a competitive industry and is constantly changing but we seem to have this defeatist mentality that if we sit tight everything will be ok sooner or later.</div><div><br /></div><div>Customers will start to make more informed decisions and become less impulsive when it comes to their purchasing habits and brands need to communicate just what it is they stand for. If retailers don't continue to develop their offer and their retail environments then customers really will disappear.</div><div><br /></div><div>So where can design help? I believe designers need to take far more responsibility for their actions and engage with the entire design process if they are to offer real value to their clients. We must recognise the entire challenge before us; this includes, not only, understanding who our customer is and the competition but also the manufacturing and build processes that are involved in delivering a project on time and most importantly on budget!</div><div><br /></div><div>Successful design should be able to use limited resources and budgets creatively and rise to this challenge. Too many design consultancies won't embrace the manufacturing and installation process and don't understand the complexities involved with delivering projects through to implementation.</div><div><br /></div><div>By investing in design, brands should be able to continue to develop fascias and in store environments whilst keeping a close reign on additional spending.</div><div><br /></div><div>Don't lose sight of long-term goals, but do review those you invest with!</div><div><br /></div> ]]>
        
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<entry>
    <title>A new bus for London</title>
    <link rel="alternate" type="text/html" href="http://www.popewainwright.co.uk/news/2008/a-new-bus-for-london.htm" />
    <id>tag:www.popewainwright.co.uk,2009:/news_temp//1.5</id>

    <published>2008-07-01T05:00:30Z</published>
    <updated>2009-07-29T07:55:07Z</updated>

    <summary>Last week the Mayor of London Boris Johnson, along with the Transport Commissioner Peter Hendy,...</summary>
    <author>
        <name>admin</name>
        
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        <![CDATA[<div>Last week the Mayor of London Boris Johnson, along with the Transport Commissioner Peter Hendy, launched a competition to design a brand new bus for London, inspired by the Capital's iconic Routemaster.</div><div><br /></div><div>This project is tremendously exciting and one that I hope will showcase the importance of design and how it can touch and improve our everyday lives.</div><div><br /></div><div>However, my fear is that it will simply become an exercise in style and will not deal with the fundamental issues at stake. Why do people use public transport in the first place, how much time do we invest in our daily journey's, how do we feel during this journey and what could be done to improve the service that we pay so dearly for?</div><div><br /></div><div>To address these questions we need to design the bus 'from the Inside out' and let the form reflect its function. The design of a new bus should be focused on helping people to travel as easily as possible, It should not only embrace the aesthetic but must place the user at the core of its process.</div><div><br /></div><div>Through intelligent design and the smart use of technology and materials the customer experience can become memorable and positive.</div><div><br /></div><div>A successful design solution has the ability to enhance our day-to-day lives and become part of the fabric of the city. A new and improved bus solution would give people a sense of pride and ownership in their community and allow them, once again, to embrace public transport.</div><div><br /></div><div>A solution that places the needs of the user at the forefront has enormous merit - but we must focus on the design of a great bus, and not, as the competition suggests, simply designing a new iconic Routemaster!</div><div><br /></div><div>PW will be submitting our entry on 19th September 2008.</div><div><br /></div> ]]>
        
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